Those Who Leave and Those Who Stay

This is high stakes, subversive literature.’ Sunday Telegraph ‘In the past decade, no fiction writer has made it more necessary to think about the performative aspect of being a woman than Elena Ferrante.

Those Who Leave and Those Who Stay

Those Who Leave and Those Who Stay

Since the publication of the acclaimed My Brilliant Friend and The Story of A New Name, Elena Ferrante’s reputation has grown enormously. Her novels about the friendship between Lila and Elena, about the mysteries of human relationships, are utterly compelling. In Those Who Leave and Those Who Stay, the two protagonists are now in their thirties. Lila, married at sixteen, has left her husband and the comforts of her marriage, and has now joined the workforce. Elena has left the neighbourhood in Naples, been to university, and published a successful novel, all of which has brought her into a wealthier, more cultured world. Both women are seizing opportunities to flee a life of poverty, ignorance and submission. Yet they are still very much bound to each other by an unbreakable bond. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan Novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Fragments, a selection of interviews, letters and occasional writings by Ferrante, will be published in early 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Award. ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘In the past decade, no fiction writer has made it more necessary to think about the performative aspect of being a woman than Elena Ferrante. Her novels, written originally in Italian and translated beautifully by Ann Goldstein, are ferociously engaged with the ways in which a woman—as a daughter, a teenager, a lover, and, most dramatically, a mother—is a kind of person in drag, speaking through a costume that slowly becomes all that one knows of her...It’s Ferrante’s ability to capture both the mirror and the woman standing before it that makes her a writer to be reckoned with.’ John Freeman ‘Nothing you read about Elena Ferrante’s work prepares you for the ferocity of it...This is a woman’s story told with such truthfulness that it is not so much a life observed as it is felt.’ New York Times ‘Elena Ferrante is one of the great novelists of our time...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘It is a testament to Ferrante’s achievement that, at the end of this third book and anticipating the fourth, it seems there’s limitless potential for Lina to reinvent herself again.’ Times Literary Supplement ‘Ferrante’s project is bold: her books chronicle the inner conflicts of intelligent women...Her writing has a powerful intimacy...a bona fide literary sensation–the famous writer nobody knows.’ Guardian UK ‘The best thing I’ve read this year, far and away...She’s marvellous.’ Richard Flanagan 'The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily

More Books:

Those Who Leave and Those Who Stay
Language: en
Pages: 320
Authors: Elena Ferrante
Categories: Fiction
Type: BOOK - Published: 2014-09-08 - Publisher: Text Publishing

Since the publication of the acclaimed My Brilliant Friend and The Story of A New Name, Elena Ferrante’s reputation has grown enormously. Her novels about the friendship between Lila and Elena, about the mysteries of human relationships, are utterly compelling. In Those Who Leave and Those Who Stay, the two
Italian Literature since 1900 in English Translation 1929-2016
Language: en
Pages: 1104
Authors: Robin Healey
Categories: Literary Criticism
Type: BOOK - Published: 2019-03-07 - Publisher: University of Toronto Press

This annotated enumerative bibliography lists all English-language translations of twentieth- and twenty-first-century Italian literature.
The Story of the Lost Child
Language: en
Pages: 480
Authors: Elena Ferrante
Categories: Fiction
Type: BOOK - Published: 2015-09-01 - Publisher: Text Publishing

The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to
The Story of a New Name
Language: en
Pages: 471
Authors: Elena Ferrante
Categories: Fiction
Type: BOOK - Published: 2020-03-03 - Publisher: Europa Editions

A novel in the bestselling quartet about two very different women and their complex friendship: “Everyone should read anything with Ferrante’s name on it” (The Boston Globe). The follow-up to My Brilliant Friend, The Story of a New Name continues the epic New York Times–bestselling literary quartet that has inspired
My Brilliant Friend
Language: en
Pages: 331
Authors: Elena Ferrante
Categories: Fiction
Type: BOOK - Published: 2020-03-03 - Publisher: Europa Editions

Now an HBO series: the first volume in the New York Times–bestselling “enduring masterpiece” about a lifelong friendship between two women from Naples (The Atlantic). Beginning in the 1950s in a poor but vibrant neighborhood on the outskirts of Naples, Elena Ferrante’s four-volume story spans almost sixty years, as its

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